The World Wonders

Seven Wonders of the Ancient World

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This article is about the Seven Ancient Wonders. For other Wonders, see Wonders of the World (disambiguation).

The Seven Wonders of the Ancient World (from left to right, top to bottom): Great Pyramid of Giza, Hanging Gardens of Babylon, Temple of Artemis at Ephesus, Statue of Zeus at Olympia, Mausoleum of Halicarnassus, Colossus of Rhodes, and the Lighthouse of Alexandria as depicted by 16th-century Dutch artist Marten Heemskerk.

The Great Pyramid of Giza, the only one of the Seven Wonders of the Ancient World still standing.

The Seven Wonders of the World (or the Seven Wonders of the Ancient World) is a well known list of remarkable constructions of classical antiquity. It was based on guidebooks popular among the ancient Hellenic tourists. The most prominent of these, the versions by Antipater of Sidon and an observer identified as Philon of Byzantium, is composed of seven works located around the Mediterranean rim. In turn, this original list has inspired innumerable versions through the ages, often in keeping with the limited number of seven entries. Of the original Seven Wonders, only one—the Great Pyramid of Giza—has remained relatively intact into the current day.

Contents 1 Background 2 Scope 3 The Seven Ancient Wonders 4 Influence 4.1 Arts and architecture 4.2 Modern lists 5 See also 6 References 7 Further reading 8 External links

Background

Alexander the Great's conquest of much of the known world in the 4th century BC gave Hellenistic travelers access to the civilizations of the Egyptians, Persians, and Babylonians. These visitors, smitten by the landmarks and marvels of the various lands, began to list what they saw. As a way of organizing, a compendium of these places made it easier to remember. Indeed, in place of the contemporary usage of the word "wonder," the Greeks actually used the word "theamata," which translates to "things to be seen" or "must-sees." Hence, the list was meant to be the Ancient World's counterpart of a travel guidebook.
Each person had his own version of the list, but the best known and earliest surviving was from a poem by Greek-speaking epigrammist Antipater of Sidon from around 140 BC. He named seven sites on his list, but was primarily in praise of the Temple of Artemis at Ephesus:

I have gazed on the walls of impregnable Babylon along which chariots may race, and on the Zeus by the banks of the Alpheus, I have seen the hanging gardens, and the Colossus of the Helios, the great man made mountains of the lofty pyramids, and the gigantic tomb of Mausolus; but when I saw the sacred house of Artemis, that towers to the clouds, the others were placed in the shade, for the sun himself, has never looked upon its equal, outside Olympus'

– Antipater, Greek Anthology IX.58

Another 2nd-century-BC observer, who claimed to be the mathematician Philon of Byzantium, wrote a short account entitled The Seven Sights of the World. However, the incomplete surviving manuscript only covered six of the supposedly seven places, which agreed with Antipater's list.
Earlier and later lists by the historian Herodotus (484 BC–ca. 425 BC) and the architect Callimachus of Cyrene (ca. 305–240 BC), housed at the Museum of Alexandria, survived only as references.
The Colossus of Rhodes was the last of the seven to be completed, after 280 BC, but the first to be destroyed, by an earthquake in 226/225 BC. Hence, all seven existed at the same time for a period of less than 60 years. Few people could personally witness all the seven wonders.
Antipater had an earlier version which replaced Lighthouse of Alexandria with the Walls of Babylon. Lists which preceded the construction of Colossus of Rhodes completed their seven entries with the inclusion of the Ishtar Gate.
In the sixth century, a list of seven wonders was compiled by Gregory, Bishop of Tours. The list included the Temple of Solomon, the Pharos of Alexandria and Noah's Ark.

Scope

It is thought that the limitation of the lists to seven entries was attributed to the special magical meaning of the number. Geographically, the list only covered the sculptural and architectural monuments of the Mediterranean and Middle Eastern regions, then thought to encompass the "known" world for the Greeks. Hence, extant sites beyond this realm were not considered as part of contemporary accounts.
The primary accounts, coming from Hellenistic writers, also heavily influenced the places included in the wonders list. Five of the seven entries are a celebration of Greek accomplishments in the arts and architecture (the exceptions being the Pyramids of Giza and the Hanging Gardens of Babylon).

The Seven Ancient Wonders

Wonder	Date of construction	Builder	Notable feature	Date of destruction	Cause of destruction	Modern Location
Great Pyramid of Giza	2584-2561 BC	Egyptians	Built as the tomb of fourth dynasty Egyptian pharaoh Khufu.	Extant	Extant	Giza, Egypt
Hanging Gardens of Babylon	605-562 BC	Babylonians	Diodorus Siculus described multi-levelled gardens reaching 22 meters (75 feet) high, complete with machinery for circulating water. Large trees grew on the roof. Built by Nebuchadnezzar II for his wife Amytis of Media.	After 1st century BC	Earthquake	Al Hillah, Babil Province, Iraq
Statue of Zeus at Olympia	466-456 BC (Temple) 435 BC (Statue)	Greeks	Occupied the whole width of the aisle of the temple that was built to house it, and was 12 meters (40 feet) tall.	5th-6th centuries AD	Fire	Olympia, Greece
Temple of Artemis at Ephesus	c. 550 BC	Lydians, Persians, Greeks	Dedicated to the Greek goddess Artemis, it took 120 years to build. Herostratus burned it down to achieve lasting fame. Rebuilt by Alexander the Great only to be destroyed again by the Goths. It was rebuilt once again after, only to be closed in 391 and destroyed by a mob led by St John Chrysostom in 401.	356 BC (by Herostratus) AD 262 (by the Goths) AD 391 (by mob led by St John Chrysostom)	Arson by Herostratus, Plundering	near Selçuk, Izmir Province, Turkey
Mausoleum of Halicarnassus	351 BC	Carians, Persians, Greeks	Stood approximately 45 meters (135 feet) tall with each of the four sides adorned with sculptural reliefs. Origin of the word mausoleum, a tomb built for Mausolus, a satrap in the Persian Empire	by AD 1494	Damaged by an earthquake and eventually disassembled by European Crusaders.	Bodrum, Turkey
Colossus of Rhodes	292-280 BC	Greeks	A giant statue of the Greek god Helios, god of the sun, c. 35 m (110 ft) tall.	226 BC	Earthquake	Rhodes, Greece
Lighthouse of Alexandria	c. 280 BC	Hellenistic Egypt	Between 115 and 135 meters (383 – 440 ft) it was among the tallest structures on Earth for many centuries. The island that it was built on, Pharos, eventually spawned the Latin word for lighthouse, again Pharos.	AD 1303-1480	Earthquake	Alexandria, Egypt

Influence

 Arts and architecture

The seven wonders on Antipater's list won praises for their notable features, ranging from superlatives of the highest or largest of their types, to the artistry with which they were executed. Their architectural and artistic features were imitated throughout the Hellenistic world and beyond.
The Greek influence in Roman culture, and the revival of Greco-Roman artistic styles during the Renaissance caught the imagination of European artists and travellers. Paintings and sculptures alluding to Antipater's list were made, while adventurers flocked to the actual sites to personally witness the wonders. Legends circulated to further complement the superlatives of the wonders.

Modern lists

Of Antipater's wonders, the only one that has survived to the present day is the Great Pyramid of Giza. The existence of the Hanging Gardens has not been proven, although theories abound. Records and archaeology confirm the existence of the other five wonders. The Temple of Artemis and the Statue of Zeus were destroyed by fire, while the Lighthouse of Alexandria, Colossus, and tomb of Mausolus were destroyed by earthquakes. Among the artifacts to have survived are sculptures from the tomb of Mausolus and the Temple of Artemis in the British Museum in London.
Still, the listing of seven of the most marvellous architectural and artistic human achievements continued beyond the Ancient Greek times to the Roman Empire, the Middle Ages, the Renaissance and to the modern age. The Roman poet Martial and the Christian bishop Gregory of Tours had their versions. Reflecting the rise of Christianity and the factor of time, nature and the hand of man overcoming Antipater's seven wonders, Roman and Christian sites began to figure on the list, including the Colosseum, Noah's Ark and Solomon's Temple. Modern historians, working on the premise that the original Seven Ancient Wonders List was limited in its geographic scope, also had their versions to encompass sites beyond the Hellenistic realm—from the Seven Wonders of the Ancient World to the Seven Wonders of the World. Indeed, the "seven wonders" label has spawned innumerable versions among international organizations, publications and individuals based on different themes—works of nature, engineering masterpieces, constructions of the Middle Ages, etc. Its purpose has also changed from just a simple travel guidebook or a compendium of curious places to list of sites that entail preservation and protection.

See also

• Wonders of the World, about similar lists made throughout the ages.
• Eighth Wonder of the World, about attempted additions to the famous ancient list.
• New Seven Wonders of the World, a list created after a global voting procedure.